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Utställningen “Torrlägg Öresund” samlar 14 konstnärer från båda sidor av Öresundsbron.
The exhibition “Drain the Öresund” brings together 14 artists living on both sides of the bridge. Graphic design: Daniel Christensen

Drain the Öresund 

8.2–4.5 2025

The exhibition “Drain the Öresund” brings together artists living on both sides of the bridge, and examines the region as a site of socio-cultural, ecological, technological, economic, and political entanglements at local and global levels. Key to the exhibition is a critical view of infrastructure, the production of interrelated systems and ‘bridges’ that facilitate exchanges over space and the transfer of information between different domains.

In 1953, the Scanian industrialist Ruben Rausing made a preposterous proposal: drain the Öresund, thereby providing new space for Malmo and Copenhagen to expand and meet in the middle. As the founder of the Swedish liquid food packaging company Tetra Pak, Rausing saw the seabed of this borderland as a site for development, manufacturing new territory for agricultural and urbanization projects, and establishing contact across previous divides. This idea of Rausing has been the starting point for the curator of the exhibition, Post Brothers, and leading up to the exhibition title. 

The exhibition explores the hopes and failures of the massive societal transformation, delving into the relationships between the public and private, the inner and outer worlds, as well as between images, abstractions, and lived reality. It also examines how human labor shapes and alters our surroundings, and the impact this, in turn, has on our identities and relationships.

The exhibition is made with support from the Polish Institute and the Danish Arts Foundation

Information

Opening 7.2 2025

Participating artists

Hannibal Andersen, Kalle Brolin, Kåre Frang, Sebastian Hedevang & Andreas Rønholt Schmidt, Henriette Heise, Silas Inoue, Hanni Kamaly, Dag Kewenter, Aleksandra Kucharska, Ina Nian, Jessica Olausson, Vibe Overgaard, Matilda Tjäder.

"Portrait of curator Matthew Post. He is wearing a white cap with red text that reads 'Anarchive,' a yellow short-sleeved patterned shirt, and thick black glasses frames."
Post Brothers is the curator of the exhibition “Drain the Öresund!”
An artwork by Ina Nian – heavy metal chains placed in an aquarium filled with water.
Ina Nian
“Black Noise #4”, 2021–pågående
Sea water, steel, iron, glass, sound installation 
Photo: Lena Bergendahl 
An artwork by Hanni Kamaly – a spider-like metal structure stands on four tall and slender legs.
Hanni Kamaly
“GEORGE CAMERBACH”, 2022 
Steel
Photo: Accelerator, Stockholm
An artwork by Silas Inoue, consisting of what resembles a giant bronze worm with small legs.
Silas Inoue
“Conditioner”, 2024
Bronze 
Photo: Jacob Friis-Holm Nielsen
An artwork by Kåre Frang – a large-scale recreation of a children's puzzle leans against a wall.
Kåre Frang 
“Landscapes of Doubt”, 2022
Oil and gesso on birch plywood, thumbtacks, metal staples
Photo: Kåre Frang
An artwork by Dag Kewenter – a shovel with four handles but only one blade.
Dag Kewenter
“410757864530 DEAD LANDLORDS”, 2021
Lacquered aluminium, wood
Photo: Dag Kewenter
An artwork by Andreas Ronholt Schmidt & Sebastian Hedevang – a framed box-like structure with coffee-filled tubes.
Sebastian Hedevang & Andreas Rønholt Schmidt
Untitled (part of the Sludge Cake series), 2021
Bisque-fired clay, PVC hose, coffee, acrylic paint, MDF, spackle
Foto: Konstnärerna
An artwork by Jessica Olausson, consisting of prefabricated flood barriers made of metal and what resembles canvas.
Jessica Olausson
“A Room Used to Gather”, 2025
Cabinet, flood defence barriers, electronic votive candle stand, artificial ash, 32 08’59.96″ N, 110 50’09.03″W  
Photo: David Stjernholm
An artwork by Vibe Overgaard, consisting of machine-like segments made of ceramic.
Vibe Overgaard
“Industrion Mainframe”, 2024
Ceramic, wood, thread 
Courtesy of the artist and Matteo Cantarella, Copenhagen
Aleksandra Kucharska
Untitled, 2023
Charcoal pencil and graphite on watercolour paper
Photo: Johan Sundell
A film by Kalla Brolin – two separate images overlapping – a back with a tattooed city skyline on the left – on the right, an industrial chimney and puffing smoke.
Kalle Brolin
“I Am Come Again”, 2022
Video installation
An artwork by Henriette Heisse, consisting of a film from inside a napkin box.
Henriette Heise
“Tissue Technology”, 2024.
Film still
Hannibal Andersen
“The Abstract Expression of Privatization (Six Colour Marks)”, 2022–25
Site-specific installation