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A large collection of sculptures in a corner of Malmö Konsthall
An overview of the sculptures exhibited during the exhibition at Malmö Konsthall, 1975. Photo: Malmö Konsthall

“12 Swedish Sculptors” showcased contemporary sculptures. Several generations were represented, from the then 80-year-old Christian Berg to the over 50 years younger Anders Åberg. Sivert Lindblom’s works, often three-dimensional forms of his body and profile, were strategically placed, gazing out through Malmö Konsthall’s large glass panels. Hanns Karlewski’s work, “Människa du är iakttagen (Human, You Are Being Watched)”, clearly revealed social criticism – depicting a surveillance center that registers your life patterns. A reality that is palpable in many urban environments today.

Torsten Rehnqvist’s sculptures carved in wood, monumental yet incredibly sensitive, also captivated the youngest visitors. Anders Åberg’s models of houses portrayed inhumane environments, decay, and boredom. He often drew inspiration from different suburban settings in the Western world that lack a sense of hope for the future, from the high-rises in Tensta to the shantytowns of West Virginia.

En människoformad staty sitter på en stol vid ett kontrollbord. Kontrollbordet har många små skärmar kopplat till sig som statyn ser ut att titta på.
Hanns Karlewski’s work, Människa du är iakttagen (Human, You Are Being Watched), at Malmö Konsthall, 1975. Photo: Malmö Konsthall

En staty i trä som har formen av en människa. Ett barn står vid statyn och håller den i handen.
Torsten Rehnqvist’s wooden sculptures at Malmö Konsthall, 1975. Photo: Malmö Konsthall
Två miniatyr-hus står uppställda på var sin piedestal i konsthallen. Bakom syns en träpanel och två affischer.
Anders Åberg’s models of houses at Malmö Konsthall, 1975. Photo: Malmö Konsthall