Närbild av ett av Lars Fredriksons verk skapat i silvrig metallplåt. Han har format den och skapat mönster i den så den blir som en missvisande spegel.
Lars Fredrikson, Untitled, 1971. Folded, hammered, and engraved stainless steel on wood. Photo: Rebeccca Fanuele. Courtesy Lars Fredrikson Estate & Galerie In Situ, Paris

Lars Fredrikson

24.5–24.8.2025

The summer will be dedicated to the French-Swedish artist Lars Fredrikson (1926–1997), marking his first major presentation in Sweden. Malmö Konsthall will showcase Fredrikson’s multifaceted body of work, which includes paintings, engravings, collages, kinetic sculptures, sound works, and collaborative projects with contemporary French poets.

Lars Fredrikson was born in Stockholm and moved to France in 1960. His work was deeply influenced by the spirit of the time, encompassing early experiments with electronics and television. He was particularly interested in our perception of the spatial and created new relationships between artworks and their environments. As a trained radio engineer, Fredrikson constructed pieces that captured the invisible waves and frequencies of space in various ways. His artistic practice explored the boundaries between the visible and invisible, between absence and presence, movement and sculpture. Fredrikson founded France’s first sound studio at the Villa Arson Art School in Nice, which influenced several generations of sound artists.

The exhibition is produced in collaboration with Sara Arrhenius, Director of the Institut Suédois in Paris, Léa Dreyer from the University of Paris, and Jonas (J) Magnusson from the publishing house OEI Editör.

Information

Parallel to the exhibition, the presentation “Malmö Konsthall – 50 Years” is displayed in a section of the exhibition hall. Read more about the presentation here.

The artist Lars Fredrikson stands in front of a sound-reproducing machine, grimacing and covering his ears. The image is in black and white.
Lars Fredrikson in his studio, Antibes, undated. Courtesy Lars Fredrikson Estate & Galerie In Situ, Paris.
A man and a girl stand in front of one of Lars Fredrikson's works, a mirror that distorts reflections and reproduces images of the viewer. The photo is in black and white and was taken in 1972.
Opening of the exhibition “Espaces virtuels” by Lars Fredrikson, Foundation Maeght, Saint-Paul-de-Vence 1972. Courtesy Lars Fredrikson Estate & Galerie In Situ, Paris.
A rectangular, horizontal artwork in sheet metal with engravings that reflect the viewer.
Lars Fredrikson, Untitled, 1971. Folded, hammered, and engraved stainless steel on wood. Photo: Rebeccca Fanuele. Courtesy Lars Fredrikson Estate & Galerie In Situ, Paris