{"id":40094,"date":"2025-05-19T15:49:40","date_gmt":"2025-05-19T13:49:40","guid":{"rendered":"https:\/\/malmokonsthall.se\/utstallningar\/sam-francis\/"},"modified":"2025-05-19T15:57:15","modified_gmt":"2025-05-19T13:57:15","slug":"sam-francis","status":"publish","type":"utstallningar","link":"https:\/\/malmokonsthall.se\/en\/utstallningar\/sam-francis\/","title":{"rendered":"Sam Francis"},"content":{"rendered":"  <nav aria-label=\"Breadcrumb navigation\" class=\"breadcrumbs\" typeof=\"BreadcrumbList\" vocab=\"https:\/\/schema.org\/\">\n      <ol>\n          <li class=\"home\"><span property=\"itemListElement\" typeof=\"ListItem\"><a property=\"item\" typeof=\"WebPage\" title=\"G\u00e5 till Startsidan\" href=\"https:\/\/malmokonsthall.se\/en\/\" class=\"home\" aria-current=\"page\"><span property=\"name\">Start<\/span><\/a><\/span><\/li>\n\n      <\/ol>\n  <\/nav>\n\n\n\n<figure class=\"wp-block-image size-large is-style-Margin-right is-style-margin-right\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"689\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_10-1024x689.jpeg\" alt=\"Ett ljust rum i en utst\u00e4llningshall. P\u00e5 en av v\u00e4ggarna finns en stor text \" class=\"wp-image-39492\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_10-1024x689.jpeg 1024w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_10-300x202.jpeg 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_10-768x517.jpeg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_10-1536x1034.jpeg 1536w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_10.jpeg 1753w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Sam Francis: M\u00e5lningar 1947\u20131990. Malm\u00f6 Konsthall, 2000. Foto: Jan Uvelius<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-group is-style-page-margin\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n\n\n\n<h1 class=\"wp-block-heading is-style-heading-article\" id=\"h-sam-francis-paintings-1947-1990\">Sam Francis &#8211; Paintings 1947\u20131990<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-29-1-2000-1-5-2000\">29.1 2000 &#8211; 1.5 2000<\/h2>\n\n\n\n<div class=\"wp-block-columns is-style-information-column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p><em>Sam Francis: Paintings 1947\u20131990<\/em> was a comprehensive retrospective exhibition that showcased one of the most influential American artists of the postwar period and traced his development throughout a long and productive life.<\/p>\n\n\n\n<p>Sam Francis\u2019s works testified to his faith in the power of abstract painting and color\u2019s ability to express deeply personal experiences. He began painting during a three-year hospital stay in the mid-1940s. Throughout his adult life, he was plagued by illness, and time and again, painting became a way back to life.<\/p>\n\n\n\n<p>His paintings were built on two fundamental elements: space and color. \u201cColor,\u201d he said himself, \u201cis for me the real substance, the starting point that excludes both drawing and contour.\u201d Already in the 1950s, in his native California, he began to dissolve the representational image and pushed his painting towards an ever higher degree of abstraction. Colors such as black, gray, red, and blue dominated.<\/p>\n\n\n\n<p>When Sam Francis arrived in Paris in 1950, he was deeply influenced by the city\u2019s light, so different from California\u2019s blue skies. The paintings from his early years in Paris were suffused with a \u201cheavenly beautiful gray,\u201d a veiled light that shaped the space and expanse over the city into a vast dome. Mist-like streaks and patches of color lay like translucent curtains of flower petals \u2014 never pure white, but pale reds, greens, and blues. The paintings became atmospheric and completely infused with light. His fascination with light and space likely stemmed from his pilot training during World War II. In his images, one could experience the sensation of flying \u2014 rising through clouds and gliding through an untouched reality that surrounded everything.<\/p>\n\n\n\n<p>Soon he came into contact with the paintings of C\u00e9zanne, van Gogh, Matisse, and especially Bonnard. These encounters guided him in a direction toward light and color. He was strongly influenced by Monet\u2019s late water lily paintings \u2014 where color seemed to be in constant flux. By the mid-1950s, he once again pushed color to intensity: reds, yellows, blacks, and above all blue, with a luminosity that recalled the stained glass windows of medieval cathedrals. During the following decade, blue would dominate his increasingly large canvases.<\/p>\n\n\n\n<p>The white color played a central role in his work. Around 1955, it appeared as small openings or cracks between the intensely colored areas \u2014 not as a background, but as a unifying force. The white tied the fields of color into a curtain dropped in front of the viewer, concealing a space hinted at beyond the color. Toward the end of the decade, white took up an increasingly larger space and assumed a more active role in the painting. The vibrant color fields broke apart and floated in a sea of light, crossed by thin, flowing lines of color. Space was restored \u2014 the room became perceptible.<\/p>\n\n\n\n<p>After two trips around the world, he settled in 1962 in Santa Monica, Los Angeles, but kept his studios in Paris and Bern. His paintings changed once again. White retained its dominance in the <em>Blue Balls<\/em> series, where the previously angular color fields were replaced by irregularly round shapes that floated in space and faded into an endless white expanse.<\/p>\n\n\n\n<p>In the mid-1960s, he pushed the color toward the edges of the canvas \u2014 blue, yellow, red \u2014 where it formed a thin border around an evenly white-painted center. The white space, enclosed by color, articulated the extension of the room between the matter. Light was at the center, dissolved into its components.<\/p>\n\n\n\n<p>In the 1970s, he drew inspiration from Eastern mysticism, as well as from Byzantine mosaics and Romanesque frescoes, where light \u2014 the divine \u2014 emanated from the center of the image. White became an inner light and the focal point of the paintings, often shaped as a square \u2014 a symbol of white as the sum of all colors.<\/p>\n\n\n\n<p>At the end of the decade, he gathered color into broad bands that crossed the surface of the painting diagonally, vertically, or horizontally. A network spread across the canvas, but space remained in the white, which shone through the deep reds, blues, and greens.<\/p>\n\n\n\n<p>After 1980, Sam Francis broke apart the structures of his earlier work. With an artistic confidence built on decades of experience, he freely explored different materials, scales, and techniques. He blurred the boundaries of what painting could be and reached a stage where color \u2014 always, for him, an embodied emotion \u2014 took on the very substance and force of nature itself.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-style-information-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33%\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p><\/p>\n\n\n\n<p class=\"is-style-default\"><\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-style-left-image-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"671\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_03-1024x671.jpeg\" alt=\"F\u00e4rgstarka m\u00e5lningar av Sam Francis, upph\u00e4ngda p\u00e5 v\u00e4ggar i en konsthall med ljusa v\u00e4ggar och tr\u00e4golv. I rummet finns en stor grupp bes\u00f6kare som betraktar verken. \" class=\"wp-image-39496\" style=\"width:797px;height:auto\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_03-1024x671.jpeg 1024w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_03-300x197.jpeg 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_03-768x503.jpeg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_03-1536x1006.jpeg 1536w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_03.jpeg 1777w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Sam Francis: Paintings 1947\u20131990. Malm\u00f6 Konsthall, 2000. Photo: Jan Uvelius<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_07-1024x1024.jpeg\" alt=\"F\u00e4rgstarka m\u00e5lningar av Sam Francis, upph\u00e4ngda p\u00e5 v\u00e4ggar i en konsthall med ljusa v\u00e4ggar och tr\u00e4golv.\" class=\"wp-image-39500\" style=\"width:387px;height:auto\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_07-1024x1024.jpeg 1024w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_07-300x300.jpeg 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_07-150x150.jpeg 150w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_07-768x769.jpeg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_07.jpeg 1286w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Sam Francis: Paintings 1947\u20131990. Malm\u00f6 Konsthall, 2000. Photo: Jan Uvelius<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"678\" height=\"1024\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_05-678x1024.jpeg\" alt=\"En man st\u00e5r framf\u00f6r en f\u00e4rgrik tavla i en konsthall. \" class=\"wp-image-39494\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_05-678x1024.jpeg 678w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_05-199x300.jpeg 199w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_05-768x1160.jpeg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_05-1017x1536.jpeg 1017w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_05.jpeg 1176w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><figcaption class=\"wp-element-caption\">Sam Francis: Paintings 1947\u20131990. Malm\u00f6 Konsthall, 2000. Photo: Jan Uvelius<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"983\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_09-1024x983.jpeg\" alt=\"F\u00e4rgstarka m\u00e5lningar av Sam Francis, upph\u00e4ngda p\u00e5 v\u00e4ggar i en konsthall med ljusa v\u00e4ggar och tr\u00e4golv.\" class=\"wp-image-39498\" style=\"width:796px;height:auto\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_09-1024x983.jpeg 1024w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_09-300x288.jpeg 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_09-768x738.jpeg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_09-1536x1475.jpeg 1536w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2017\/01\/2000_1_0391_C_DO_09-2048x1967.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Sam Francis: Paintings 1947\u20131990. Malm\u00f6 Konsthall, 2000. Photo: Jan Uvelius<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sam Francis &#8211; Paintings 1947\u20131990 29.1 2000 &#8211; 1.5 2000 Sam Francis: Paintings 1947\u20131990 was a comprehensive retrospective exhibition that showcased one of the most&#8230;<\/p>\n","protected":false},"featured_media":39493,"menu_order":10,"template":"","format":"standard","class_list":["post-40094","utstallningar","type-utstallningar","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v23.3 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Sam Francis<\/title>\n<meta name=\"description\" content=\"Sam Francis: M\u00e5lningar 1947\u20131990. Malm\u00f6 Konsthall, 2000. 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