{"id":36760,"date":"2024-10-16T11:20:23","date_gmt":"2024-10-16T09:20:23","guid":{"rendered":"https:\/\/malmokonsthall.se\/utstallningar\/drain-the-oresund\/"},"modified":"2025-04-23T14:59:23","modified_gmt":"2025-04-23T12:59:23","slug":"drain-the-oresund","status":"publish","type":"utstallningar","link":"https:\/\/malmokonsthall.se\/en\/utstallningar\/drain-the-oresund\/","title":{"rendered":"Drain the \u00d6resund"},"content":{"rendered":"  <nav aria-label=\"Breadcrumb navigation\" class=\"breadcrumbs\" typeof=\"BreadcrumbList\" vocab=\"https:\/\/schema.org\/\">\n      <ol>\n          <li class=\"home\"><span property=\"itemListElement\" typeof=\"ListItem\"><a property=\"item\" typeof=\"WebPage\" title=\"G\u00e5 till Startsidan\" href=\"https:\/\/malmokonsthall.se\/en\/\" class=\"home\" aria-current=\"page\"><span property=\"name\">Start<\/span><\/a><\/span><\/li>\n\n      <\/ol>\n  <\/nav>\n\n\n\n<figure class=\"wp-block-image size-large is-resized is-style-Margin-right is-style-margin-right\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2415_web-1024x683.jpg\" alt=\"Utst\u00e4llningen \u201cTorrl\u00e4gg \u00d6resund\u201d samlar 14 konstn\u00e4rer fr\u00e5n b\u00e5da sidor av \u00d6resundsbron. Foto: Helene Toresdotter\" class=\"wp-image-37969\" style=\"width:1199px;height:auto\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2415_web-1024x683.jpg 1024w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2415_web-300x200.jpg 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2415_web-768x512.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2415_web.jpg 1476w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The exhibition &#8220;Drain the \u00d6resund&#8221; brings together 14 artists living on both sides of the bridge. Foto: Helene Toresdotter<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-group is-style-page-margin\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n\n\n\n<h1 class=\"wp-block-heading is-style-heading-article\" id=\"h-drain-the-oresund\"><strong>Drain the \u00d6resund<\/strong><\/h1>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-8-2-4-5-2025\">8.2\u20134.5 2025<\/h2>\n\n\n\n<div class=\"wp-block-columns is-style-information-column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p>The exhibition &#8220;Drain the \u00d6resund&#8221; brings together fourteen artists living on both sides of the \u00d6resund to examine the region as a site of sociocultural, ecological, technological, economic, and political entanglements. Using local and regional narratives as a starting point, the exhibition explores broader global movements and processes \u2013 migration, climate change, economic development \u2013 to uncover the connections between fact and fiction, progress and decline, the self and the world.<\/p>\n\n\n\n<h3 class=\"wp-block-heading is-style-body-heading\" id=\"h-explores-social-transformations\">Explores social transformations<\/h3>\n\n\n\n<p>The exhibition presents a critical perspective on the infrastructure of the welfare state, and the greenwashing employed by commercial actors to implement profit-driven projects. Many of the artworks highlight circuits of exchange and explore the hopes and failures of mass social transformation, digging into the increasingly muddy relationships between public and private, past and present, production and destruction. <\/p>\n\n\n\n<h3 class=\"wp-block-heading is-style-body-heading\" id=\"h-social-historical-perspective\">Social historical perspective<\/h3>\n\n\n\n<p>What unites the artists is their exploration of how our societal structures impact human labour, human bodies, and our lived experiences. Several of the artists work from a social-historical perspective, investigating various movements and narratives in the region, often against the backdrop of climate change and privatisation. Many of the works are rooted in true stories about the region&#8217;s transformation and history \u2013 stories that the region has embraced, exploited, or rejected. Through artistic interpretation, these stories are opened up for new interpretations of labour, ecology, migration, and class. <\/p>\n\n\n\n<h3 class=\"wp-block-heading is-style-body-heading\" id=\"h-drain-the-oresund-0\">Drain the \u00d6resund!<\/h3>\n\n\n\n<p>In 1953, the Scanian industrialist Ruben Rausing made an ambitious proposal: drain the \u00d6resund, thereby bringing Malm\u00f6 and Copenhagen together and providing new space for development. Rather than viewing Rausing&#8217;s statement solely as an expression of capitalist logic driven by a desire for growth, the exhibition&#8217;s curator, Post Brothers, embraces the absurdity of the statement, treating it as an artistic provocation to reconsider ideas about national borders and development. For the exhibition, the curator was deeply inspired by Jesper Meijling\u2019s 2000 text \u2018All That Is Fluid Becomes Solid: Lecture on Landscape and Economy\u2019, where the researcher and architect connects Rausing&#8217;s dream of redirecting the \u00d6resund&#8217;s waters to the logistical thinking that characterizes his company, Tetra Pak, whose operations revolve around packaging liquid food products.  <\/p>\n\n\n\n<h3 class=\"wp-block-heading is-style-body-heading\" id=\"h-the-possibilities-of-the-borderland\">The possibilities of the borderland<\/h3>\n\n\n\n<p>Malm\u00f6 has a strong and vibrant contemporary art scene. Drain the \u00d6resund looks across the strait, exploring the region&#8217;s origins and direction, as well as the connection between Malm\u00f6 and Copenhagen. What possibilities can be found in the in-between space of this borderland? And what materials, traumas and realities lie on the seabed? The exhibition adopts an absurd yet critically pessimistic approach to inspire new reflections, drawing on Rausing&#8217;s paradoxical idea as both an exaggeration of development rhetoric and a bold reimagining of the region. The thought of draining the \u00d6resund is to drain it of its baggage and unearth its dark depths, uncovering what has been lost, and inspire new dreams for the region&#8217;s future. <\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"is-style-body-text\">The exhibition is made possible with support from the Polish Instituten and the Danish Arts Foundation<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-style-information-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33%\">\n<h3 class=\"wp-block-heading is-style-body-heading\" id=\"h-participating-artists\">Participating artists:<\/h3>\n\n\n\n<div style=\"height:29px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" aria-expanded=\"false\" id=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\"><span class=\"accordion__title\">Aleksandra Kucharska<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\"><div class=\"accordion__text\">\n<p>Aleksandra Kucharska\u00b4s subdued drawings similarly examine the physical structures and atmospheres that order our lives, stimulating unresolved, almost dream-like narratives.<br><br>&#8220;I carry images within me; fragments from my childhood, everyday life, and dreams that constantly resurface, reminding me of something that was and something that is. In my dreams, I am transported to my former homes, former lands, former faces, former times.<br><br>The memories are like a sensation or a scent that slowly fades away. Sometimes, I manage to grasp a small detail of an object, a mood, or a place. The images blend with the present and transform into a new story. Sometimes I find solitary words in my sketchbooks that follow me, stubbornly insisting on being included. The words take shape in a building fa\u00e7ade or spread out like a shadow in a drawing. Perhaps that\u2019s why I return to the same sensations and fragments of memory\u2014to embellish, alter, and relive, to shift and be shifted.&#8221;<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" aria-expanded=\"false\" id=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\"><span class=\"accordion__title\">Dag Kewenter<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\"><div class=\"accordion__text\">\n<p>Dag Kewenter is participating in the exhibition with the work \u201c410757864530 DEAD LANDLORDS\u201d (2021), which presents a morbid image of growth.<br><br>\u201cThe work departs from a critique of idealistic development. I was interested in the intersection between construction and destruction, progress and decay. By appropriating a ceremonial shovel\u2014an object typically associated with the optimism of new beginnings in development\u2014the sculpture subverts the traditional narrative of progress.<br><br>The choice to frame it within a context of funeral rites shifts the focus from celebration to mourning. This reversal taps into the idea of necropolitics, where the decisions surrounding life and death are influenced by power dynamics, often reflecting societal neglect or violence. Instead of digging the ground for new structures, this shovel could be seen as unearthing the remains of what has been lost. Rather than looking forward to the promises of development, the work urges viewers to confront the consequences of such endeavors. It calls attention to what lies beneath the surface: the buried pasts and the often overlooked human cost of progress.\u201d<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" aria-expanded=\"false\" id=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\"><span class=\"accordion__title\">Hannibal Andersen<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\"><div class=\"accordion__text\">\n<p>Hannibal Andersen&#8217;s ongoing project \u201cThe Abstract Expression of Privatization (Six Colour Marks)\u201d explores colors as property and how companies claim exclusive rights to colors and color combinations, driven by fantasies of owning what belongs to no one and everyone.<br><br>\u201cMy contribution to Drain the \u00d6resund is based on an ongoing investigation of colours as property. Today, companies can claim exclusive rights to the use of colours by registering them as trademarks, also known as \u201ccolour marks\u201d, and thereby preventing others from using them.<br><br>This rendition of the work <em>The Abstract Expression of Privatization<\/em> consists of six colour marks that I have painted directly on the end wall and the freestanding columns in the Konsthall. The selected colours have been appropriated by companies that are leaders in areas such as &#8220;fast furniture,&#8221; forestry, global logistics, oil extraction, and energy for both machines and bodies.<br><br>Can you own a colour? What is next in line to be subjected to corporate private ownership? And what consequences will follow if we continue to ignore the plundering of the commons?\u201d<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" aria-expanded=\"false\" id=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\"><span class=\"accordion__title\">Hanni Kamaly<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\"><div class=\"accordion__text\">\n<p>&#8220;My sculptures have a starting point in theories about dehumanisation. But they are also dedications, monuments, for individuals featured in Herman Lundsborgs book <em>Svenska folktyper<\/em> published in 1919. These were migrants who had come to Sweden, and had been arrested and deported. Their mugshots were given to Lundborg, professor in the now-considered pseudo-science of racial hygiene, who used them as a warning against &#8220;racial mixture.&#8221;<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" aria-expanded=\"false\" id=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\"><span class=\"accordion__title\">Henriette Heise<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\"><div class=\"accordion__text\">\n<p>Henriette Heise is participating with three works. Here, she shares the background of two of them: \u201cDrawer\u201d and \u201cTissue Technology\u201d.<br><br>\u201cThe picture of this specific drawer is taken when I had my first institutional job as an associate professor at the Royal Academy in Copenhagen. On my first day at my new job, I sat there in my (first ever) office wondering what this new situation might bring to an artist who had been living the usual precarious freelance life since graduation. As a way of thinking about this new situation, I took a picture into the drawer of my desk. The interiority of this image is key to my work in general. I often think of the comment by the American artist Gregg Bordowitz that questioned not what constitutes politics in general, but rather what are the politics of the room you are in.\u201d<br><br>\u201cIn films and on TV, there\u2019s always a box of tissues in the therapist&#8217;s office\u2014strategically placed between the therapist and the client, poised and ready. With its familiar silhouette, the tissue peeks out of the top of the box, proffered to wipe away tears and snot. The tissues solicit the feelings they would help ameliorate. And we know a breakthrough has occured when the client reaches for the box: One tissue pulls the next one up in an endless stream, each surfacing seamlessly from the depths of the box.Tissue Technology reveals the mechanism behind this circuit. Like TV, cinema and other screen based media, the box of tissues is a technology for manipulating sentiment, and simultaneously providing clean-up. A swirling machinery, hidden in plain sight on our screens, now exposed on a screen near you.\u201d<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" aria-expanded=\"false\" id=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\"><span class=\"accordion__title\">Ina Nian<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\"><div class=\"accordion__text\">\n<p>Ina Nian\u00b4s installation &#8220;Black Noise #4&#8221; (2021\u2013ongoing) draws attention to Sweden&#8217;s involvement in the transatlantic slave trade and colonialism.<br><br>&#8220;Historically, Sk\u00e5ne has been a foundation for Swedish Nazism, and it still has a strong foothold here. I was born and raised in Helsingborg, now living in Malm\u00f6, and my interest in history within my artistic practice has been shaped by this. I see history as a central part of how we understand ourselves \u2013 even our unheard, unseen history affects us.<br><br>The iron trade has made Sweden a wealthy country, but at a high cost for those at the bottom of the chain. When Sweden succeeded in the 17th century as a producer of the highly sought-after bar iron, we became a central figure in international iron trade, to the extent that historical documents refer to the &#8220;Swedish monopoly.&#8221; Much of the Swedish iron was bought by Great Britain, which used it for everything from everyday items to equipment for the navy that colonized West Africa. The sought-after status of Swedish iron meant that it, under the name &#8216;voyage iron,&#8217; was shipped along the West African coast and then traded for enslaved people.<br><br>I want to portray the unspoken part of history, and our indifference towards it. Water becomes a way to illustrate the contradiction; beneath the smooth, glossy water surface, the iron remains, and the rust turns into blood.&#8221;<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" aria-expanded=\"false\" id=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\"><span class=\"accordion__title\">Jessica Olausson<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\"><div class=\"accordion__text\">\n<p>Jessica Olausson\u2019s practice stages the confluence of seemingly disparate things, generating the cognition of complex narratives that are distributed across space and time. In \u201cA Room Used to Gather\u201d (2025), custom-built at the konsthall, the artist brings together a cabinet, flood defence barriers, an electronic votive candle stand, artificial ash, and a set of geographic coordinates.<br><br>\u201dAs a Swede living in Copenhagen, residing in the \u00d6resund region means always existing in a state of in-betweenness\u2014constantly between countries and coasts. It\u2019s a place shaped by shifting boundaries, where the tension between human ambition and nature\u2019s unruliness continues to unfold, maybe now more than ever. I find these complex dynamics endlessly fascinating, and it makes the region a very relevant context for me to work within.<br><br>I often think about thick air\u2014when particles of dust turn so dense, they become visible. Air so heavy you could cut it with a knife. Or muddy water \u2013 at one moment completely transparent, in the next, utterly opaque. In my practice, I search for objects, phenomena, or events that embody this kind of blurriness. Things that exist in-between \u2013 both clear and cloudy, conspicuously absent yet densely present, or perhaps in suspension. Exploring these dualities is thrilling to me\u2014seeing how they operate and circulate as functional things in the world.\u201d<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" aria-expanded=\"false\" id=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\"><span class=\"accordion__title\">Kalle Brolin<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\"><div class=\"accordion__text\">\n<p>Kalle Brolin explores the history of Sk\u00e5ne with a focus on ecology, labor, and migration, and through the two industries that have primarily driven the region&#8217;s development and historically shaped it: coal mining and sugar beet cultivation.<br><br>&#8220;Ten years ago, I moved back to Sk\u00e5ne and since then have worked on a series of video works that connect two regional industries, the Sk\u00e5ne coal mines and the sugar mills. I use these as case studies to create visual art about everything that interests me \u2013 economic systems as a gnostic colossus, the recuperation of rebellious culture, the colonization of our love lives, the imprint of history in contested borderlands, and reading landscapes as if they were poetry.<br><br>The work <em>I Am Come Again<\/em> (2022\u20132024) is a dual-channel video installation where the two projections meet in the middle and overlap. In the overexposed central section, a door, an opening, emerges for those portrayed in the video. Groups of imprisoned or excluded people for whom seasonal work in the Sk\u00e5ne sugar beet fields becomes a temporary opportunity to cross borders: proletarian agricultural workers from Poland, patients from Sankt Lars, auxiliary workers, survivors from concentration camps, migrant workers during the pandemic. The video consists of a long series of visual footnotes to a story that begins with the parallel relocation of German war criminals and Holocaust survivors to the Sk\u00e5ne castles and manor houses where sugar beets were grown.&#8221;<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" aria-expanded=\"false\" id=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\"><span class=\"accordion__title\">K\u00e5re Frang<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\"><div class=\"accordion__text\">\n<p>&#8220;<em>Landscapes of Doubt<\/em> is a series that exists somewhere between traditional landscape painting, conceptual sculpture, and communication tools like bulletin boards or advertising stands. The works explore the multiple meanings of the word \u201clandscape\u201d &#8211; as a physical place, a mental and political terrain, and a metaphor for the future.<br><br>At the core of my practice is an investigation of change and the uncertainty it brings &#8211; both within ourselves, in nature, and across society. This sense of instability is reflected in the painted landscapes, whose imagery remains intentionally incomplete, with missing puzzle pieces that invite viewers to fill the gaps with their own imagination, making each encounter personal and ever-changing.<br><br>The works are part of an ongoing series that I began in 2018.&#8221;<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" aria-expanded=\"false\" id=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\"><span class=\"accordion__title\">Matilda Tj\u00e4der<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\"><div class=\"accordion__text\">\n<p>Matilda Tj\u00e4der\u2019s installation \u201cLive and Breathe\u201d is a site-specific sound work composed of recordings from the art hall\u2019s ventilation system, transformers, and various electronic systems, captured during times when the building was closed to the public. The material has been analyzed, reworked, amplified, and composed into a dynamic six-channel sound piece. \u201cLive and Breathe\u201d is an amalgam of sound waves from the machines operating in the background of our modern buildings, and signals from complex protocols designed to go unnoticed. The work reconstructs these protocols by allowing their inherent frequencies and tones to emerge in a new form.<br><br>\u201c<em>Live and Breathe<\/em> continues my exploration of the acoustic identity and character of spaces. In connection with my solo exhibition \u201cspelling the wind without words\u201d (Sk\u00e5nes konstf\u00f6rening, 2023), the local wind in Malm\u00f6 became the protagonist, and the venue\u2019s ventilation system its medium.<br><br>I grew up two kilometers from the bridgehead in Malm\u00f6 and watched the \u00d8resund Bridge being built as a child (I even sang at its inauguration with my school class). Back then, the bridge symbolized a new horizon, but over time I\u2019ve come to question the narratives and marketing strategies that shaped the identity around the \u00d8resund Bridge. This is something the Danish artist Asta Lynge and I have actively explored in The Strait Trilogy \u2013 our artistic take on the Nordic Noir genre.\u201d<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" aria-expanded=\"false\" id=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\"><span class=\"accordion__title\">Sebastian Hedevang &amp; Andreas R\u00f8nholt Schmidt<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\"><div class=\"accordion__text\">\n<p>Sebastian Hedevang &amp; Andreas R\u00f8nholt Schmidt explore the grittier aspects of the \u00d8resund region&#8217;s history. Before modern sewage systems were introduced in the 1890s, human waste was collected and shaped into so-called &#8220;sludge cakes,&#8221; which were sold as fertilizer. This human waste was gathered by \u201ckjeltringer\u201d, or nightmen, a subjugated caste of workers considered outlaws, untouchables, and social outcasts. In the exhibition, they have arranged modernist-style kitchen utensils, pastries, and coffee on sludge cake molds, reconstructed from an archival photograph.<br><br>&#8220;Our collaboration resulted in an interest in the latrine history and infrastructure. The work takes shape from a shared pool of knowledge about popular spirituality and the hubristic solutions of technology. It is akin to the bleaching men and Rigshospitalet in von Trier&#8217;s The Kingdom\u2014the spirituality of the folk figure intersecting with science&#8217;s piping and processing of matter. With that perspective in mind, we shape our work using art historical examples that parallel our theme: the latrine.&#8221;<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" aria-expanded=\"false\" id=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\"><span class=\"accordion__title\">Silas Inoue<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\"><div class=\"accordion__text\">\n<p>Silas Inoue explores in his artistic practice climate, ecosystems, ecology, and economy, the capitalist instrumentalization of nature, as well as how human social structures interact with and reflect biological systems.<br><br>\u201cI began collaborating with mold organisms after my former basement studio was flooded due to a heavy rainfall, that left Copenhagen out of order, and caused mold to grow on some of my stored works. Now, I find it funny to invite mold organisms into cultural institutions and collectors homes like a celebrated guest instead of an unwelcome intruder, like in the work \u201dInfrastructure\u201d. On the front of another work, \u201cBond\u201d, a sea goddess is depicted, surrendering to the desires of various creatures. I am interested in themes of attraction that also delves into dynamics of economic dependency and how the choices we invest in ultimately shape the world we create.\u201d<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" aria-expanded=\"false\" id=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\"><span class=\"accordion__title\">Vibe Overgaard<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\"><div class=\"accordion__text\">\n<p>Vibe Overgaard explores in her artistic practice how our bodies, perceptions of space, connections, and the environment are engaged in constant and close relationships with infrastructure: those systems, at micro and macro scales, through which energy, goods, ideas, waste, power, people, and finance are trafficked. <br><br>\u201cThe work <em>Industrial Drifter<\/em> is a sculptural hybrid between a ship and an industrial machine. The form is based on my interest in production, infrastructure, and economic cycles, which invites us to understand Scandinavian prosperity in a global context. The growth economy, in a Danish-Swedish welfare context, can seem generative, but it is inextricably linked to the climate crisis and social inequality, both locally and especially globally. What does it mean for Scandinavian self-understanding that prosperity is often regarded as a local\/national achievement, when it is built on global exploitation? In the context of the exhibition&#8217;s theme, I chose the ship as a symbol of global infrastructure. The \u00d8resund is, both from a historical and contemporary perspective, defined by maritime traffic and trade routes: a kind of economic corridor in and out of Scandinavia, which has been a major route in the hierarchical division of the planet&#8217;s resources.\u201d<\/p>\n<\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Curator: <\/strong>\r\nPost Brothers<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>As part of the exhibition program, Asta Lynge&#8217;s and Matilda Tj\u00e4der&#8217;s film &#8220;The Strait Trilogy&#8221; (2020\u201323) will be screened at the Panora cinema on March 4th at 18:00.<\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"1024\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/10\/POST-BROTHERS-press-710x1024.jpg\" alt=\"Portr\u00e4tt av curatorn Matthew Post. Han b\u00e4r en vit keps med den r\u00f6da texten \"Anarchive\", en gul kort\u00e4rmad m\u00f6nstrad skjorta och tjocka svarta glas\u00f6gonb\u00e5gar.\" class=\"wp-image-39089\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/10\/POST-BROTHERS-press-710x1024.jpg 710w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/10\/POST-BROTHERS-press-208x300.jpg 208w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/10\/POST-BROTHERS-press-768x1108.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/10\/POST-BROTHERS-press-1065x1536.jpg 1065w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/10\/POST-BROTHERS-press-1420x2048.jpg 1420w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><figcaption class=\"wp-element-caption\">Post Brothers is the curator of the exhibition \u201cDrain the \u00d6resund!\u201d<\/figcaption><\/figure>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"481\" height=\"683\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/10\/Torrlagg_broschyr.png\" alt=\"Mer information om konstn\u00e4rerna och de enskilda verken tillhandah\u00e5lls i en publikation som finns till salu i bokhandeln. Grafisk form: Daniel Christensen\" class=\"wp-image-38012\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/10\/Torrlagg_broschyr.png 481w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/10\/Torrlagg_broschyr-211x300.png 211w\" sizes=\"auto, (max-width: 481px) 100vw, 481px\" \/><figcaption class=\"wp-element-caption\">More information about the artists and the works is provided in a publication available for purchase in bookstores. Graphic design: Daniel Christensen<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-style-right-image-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-style-left-image-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1476\" height=\"1845\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2434_web.jpg\" alt=\"Utst\u00e4llningen \u201cTorrl\u00e4gg \u00d6resund\u201d samlar 14 konstn\u00e4rer fr\u00e5n b\u00e5da sidor av \u00d6resundsbron. Foto: Helene Toresdotter\" class=\"wp-image-37981\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2434_web.jpg 1476w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2434_web-240x300.jpg 240w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2434_web-819x1024.jpg 819w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2434_web-768x960.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2434_web-1229x1536.jpg 1229w\" sizes=\"auto, (max-width: 1476px) 100vw, 1476px\" \/><figcaption class=\"wp-element-caption\">Dag Kewenter, &#8220;410757864530 DEAD LANDLORDS&#8221;, 2021 och\r\nHannibal Andersen, &#8220;The Abstract Expression of Privatization (Six Colour Marks)&#8221;, 2022\u201325.\r\nInstallation view Malm\u00f6 Konsthall 2025. Photo: Helene Toresdotter<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2413_web2-819x1024.jpg\" alt=\"Utst\u00e4llningen \u201cTorrl\u00e4gg \u00d6resund\u201d samlar 14 konstn\u00e4rer fr\u00e5n b\u00e5da sidor av \u00d6resundsbron. Foto: Helene Toresdotter\" class=\"wp-image-37972\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2413_web2-819x1024.jpg 819w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2413_web2-240x300.jpg 240w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2413_web2-768x960.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2413_web2-1229x1536.jpg 1229w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2413_web2.jpg 1476w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption class=\"wp-element-caption\">Silas Inoue, \u201dBond\u201d, 2023. Installation view Malm\u00f6 Konsthall 2025.\r\nPhoto: Helene Toresdotter<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-style-left-image-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2424_web-819x1024.jpg\" alt=\"Utst\u00e4llningen \u201cTorrl\u00e4gg \u00d6resund\u201d samlar 14 konstn\u00e4rer fr\u00e5n b\u00e5da sidor av \u00d6resundsbron. Foto: Helene Toresdotter\" class=\"wp-image-37966\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2424_web-819x1024.jpg 819w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2424_web-240x300.jpg 240w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2424_web-768x960.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2424_web-1229x1536.jpg 1229w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2424_web.jpg 1476w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption class=\"wp-element-caption\">Andreas Ronholt Schmidt &amp; Sebastian Hedevang\r\nUntitled, 2021. Installation view Malm\u00f6 Konsthall 2025.\r\nPhoto: Helene Toresdotter<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2440\" height=\"1720\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2485_web.jpg\" alt=\"Utst\u00e4llningen \u201cTorrl\u00e4gg \u00d6resund\u201d samlar 14 konstn\u00e4rer fr\u00e5n b\u00e5da sidor av \u00d6resundsbron. Foto: Helene Toresdotter\" class=\"wp-image-37985\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2485_web.jpg 2440w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2485_web-300x211.jpg 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2485_web-1024x722.jpg 1024w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2485_web-768x541.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2485_web-1536x1083.jpg 1536w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2485_web-2048x1444.jpg 2048w\" sizes=\"auto, (max-width: 2440px) 100vw, 2440px\" \/><figcaption class=\"wp-element-caption\">Hanni Kamaly, &#8220;ALI BEN MOHAMMED&#8221;, 2024-2025&nbsp;och K\u00e5re Frang&nbsp;och &#8220;Landscapes of Doubt&#8221;, 2022\r\nInstallation view Malm\u00f6 Konsthall 2025. Photo: Helene Toresdotter<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-style-left-image-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2439_web-1024x1024.jpg\" alt=\"Utst\u00e4llningen \u201cTorrl\u00e4gg \u00d6resund\u201d samlar 14 konstn\u00e4rer fr\u00e5n b\u00e5da sidor av \u00d6resundsbron. Foto: Helene Toresdotter\" class=\"wp-image-37978\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2439_web-1024x1024.jpg 1024w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2439_web-300x300.jpg 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2439_web-150x150.jpg 150w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2439_web-768x768.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2439_web.jpg 1476w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ina Nian, &#8220;Black Noise #4&#8221;, 2021\u2013p\u00e5g\u00e5ende. Installation view Malm\u00f6 Konsthall 2025.\r\nPhoto: Helene Toresdotter<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2413_web-819x1024.jpg\" alt=\"Utst\u00e4llningen \u201cTorrl\u00e4gg \u00d6resund\u201d samlar 14 konstn\u00e4rer fr\u00e5n b\u00e5da sidor av \u00d6resundsbron. Foto: Helene Toresdotter\" class=\"wp-image-37965\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2413_web-819x1024.jpg 819w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2413_web-240x300.jpg 240w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2413_web-768x960.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2413_web-1229x1536.jpg 1229w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2024\/12\/IMG_2413_web.jpg 1476w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption class=\"wp-element-caption\">Silas Inoue, \u201dInfrastructure\u201d, 2025.\r\nInstallation view Malm\u00f6 Konsthall 2025. 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wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\"><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The exhibition &#8220;Drain the \u00d6resund&#8221; brings together artists living on both sides of the bridge, and examines the region as a site of socio-cultural, ecological, technological, economic, and political entanglements at local and global levels.<\/p>\n","protected":false},"featured_media":37970,"menu_order":0,"template":"","format":"standard","class_list":["post-36760","utstallningar","type-utstallningar","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v23.3 (Yoast SEO v27.3) - 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