{"id":3326,"date":"2016-06-06T15:50:02","date_gmt":"2016-06-06T13:50:02","guid":{"rendered":"https:\/\/malmokonsthall.se\/utstallningar\/rita-ackermann\/"},"modified":"2025-11-25T10:30:21","modified_gmt":"2025-11-25T09:30:21","slug":"rita-ackermann","status":"publish","type":"utstallningar","link":"https:\/\/malmokonsthall.se\/en\/utstallningar\/rita-ackermann\/","title":{"rendered":"Rita Ackermann"},"content":{"rendered":"  <nav aria-label=\"Breadcrumb navigation\" class=\"breadcrumbs\" typeof=\"BreadcrumbList\" vocab=\"https:\/\/schema.org\/\">\n      <ol>\n          <li class=\"home\"><span property=\"itemListElement\" typeof=\"ListItem\"><a property=\"item\" typeof=\"WebPage\" title=\"G\u00e5 till Startsidan\" href=\"https:\/\/malmokonsthall.se\/en\/\" class=\"home\" aria-current=\"page\"><span property=\"name\">Start<\/span><\/a><\/span><\/li>\n\n      <\/ol>\n  <\/nav>\n\n<figure class=\"wp-block-image size-full is-resized is-style-Margin-right is-style-half-width\"><img loading=\"lazy\" decoding=\"async\" width=\"1181\" height=\"1742\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/Rita_Ackermann_Rosebud_2015.jpg\" alt=\"A colorful painting in pink, orange, and green.\" class=\"wp-image-11595\" style=\"width:1095px;height:auto\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/Rita_Ackermann_Rosebud_2015.jpg 1181w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/Rita_Ackermann_Rosebud_2015-203x300.jpg 203w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/Rita_Ackermann_Rosebud_2015-694x1024.jpg 694w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/Rita_Ackermann_Rosebud_2015-768x1133.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/Rita_Ackermann_Rosebud_2015-1041x1536.jpg 1041w\" sizes=\"auto, (max-width: 1181px) 100vw, 1181px\" \/><figcaption class=\"wp-element-caption\">Rita Ackermann, &#8220;Rosebud&#8221;, 2015.<\/figcaption><\/figure>\n\n<div class=\"wp-block-group is-style-page-margin\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n\n\n\n<h1 class=\"wp-block-heading is-style-heading-article\" id=\"h-rita-ackermann\">Rita Ackermann<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-22-10-2016-22-1-2017\"><strong>22.10 2016\u201322.1 2017<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-style-information-column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p>Rita Ackermann broke through on the New York art scene in the early 1990s with her sleek yet evocative depictions of the female body. Her large paintings of nymph-like girls, drawn with lines that evoke both beauty and ugliness, attracted considerable attention and secured her a place in the contemporary cultural sphere. These early works have served as the foundation for her latest series of paintings, titled &#8220;The Chalkboard Paintings&#8221;.<\/p>\n\n\n\n<p>The exhibition at Malm\u00f6 Konsthall, Ackermann\u2019s first in Scandinavia, explores the relationship between these two series, created more than twenty years apart, and invites the viewer to experience the different layers within the works. The expressive line, the depiction of the body, and the enigmatic and bold gestures each contribute to the dichotomy between the beautiful and the violent. To see what is visible and feel what is not, to sense the spaces in between and the disappearance. The gradual dissolution of any resemblance to the human form, on the verge of nothingness.<\/p>\n\n\n\n<h3 class=\"wp-block-heading is-style-body-heading\" id=\"h-svarta-tavlan\">The Blackboard<\/h3>\n\n\n\n<p>Ackermann has recently described how she works with these \u2018Blackboard Paintings\u2019 in an interview with Jeff Grunthaner for Whitehot magazine: \u2018The works are created through repeated erasures. The process is the same as what happens on a blackboard in a classroom. A shape or image is drawn on the black or green board, only to be erased before the next lesson. Since I start by priming the canvases with chalkboard paint, they have to be stretched on the wall. The erasures are forceful and physical. I discovered that the more manic the erasing, the more visible the drawing beneath the layers of wiped-away chalk dust sometimes becomes. The delicacy and humility of the obviously \u201csimple\u201d material \u2014 the chalk \u2014 turns out to be what offers the greatest resistance.\u2019 <a href=\"https:\/\/whitehotmagazine.com\/articles\/rita-ackermann-interview\/3157\">Read the full interview here.<\/a><\/p>\n\n\n\n<p>Curator: Per Haubro<\/p>\n\n\n\n<p class=\"is-style-body-text\"><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-style-information-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33%\">\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_6f4d6b49-1dc5-46f0-9469-ad25de636483-1762968659415\" aria-expanded=\"false\" id=\"accordion_content-container_6f4d6b49-1dc5-46f0-9469-ad25de636483-1762968659415\" tabindex=\"0\"><span class=\"accordion__title\">More about Rita Ackerman<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_6f4d6b49-1dc5-46f0-9469-ad25de636483-1762968659415\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_6f4d6b49-1dc5-46f0-9469-ad25de636483-1762968659415\"><div class=\"accordion__text\">\n<p>Rita Ackermann was born in 1968 in Budapest. After completing her studies, she moved to New York in the early 1990s, where she still lives and works. Her work has been shown in numerous solo and group exhibitions around the world. In 2009, during her residency at the Chinati Foundation in Marfa, Texas, she spent several months focusing on the abstract conceptual elements of her work. Her classical training at the Hungarian Academy of Arts in Budapest, along with her interest in philosophy\u2014particularly Paul Virilio and his discussions on the logistics of perception and disappearance\u2014has influenced both her life and art. The figures that emerge in her work are fundamentally classically composed, yet deeply rooted in contemporary conceptual perspectives.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_d7d8bd60-5cd9-45d0-801c-deb1f07b1938-1762968419698\" aria-expanded=\"false\" id=\"accordion_content-container_d7d8bd60-5cd9-45d0-801c-deb1f07b1938-1762968419698\" tabindex=\"0\"><span class=\"accordion__title\">Previous exhibitions<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_d7d8bd60-5cd9-45d0-801c-deb1f07b1938-1762968419698\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_d7d8bd60-5cd9-45d0-801c-deb1f07b1938-1762968419698\"><div class=\"accordion__text\">\n<p>Her most recent solo exhibitions include &#8220;Chalkboard Paintings&#8221; at Hauser &amp; Wirth Z\u00fcrich (2015); &#8220;Meditation on Violence \u2013 Hair Wash&#8221; at Sammlung Friedrichshof, Zurndorf, and Sammlung Friedrichshof Stadtraum, Vienna (2014); &#8220;Negative Muscle&#8221;, Hauser &amp; Wirth New York (2013); &#8220;Fire by Days&#8221;, Hauser &amp; Wirth London (2012); Museum of Contemporary Art, North Miami (2012); Bakos, Ludwig Museum, Budapest (2011); and &#8220;Rita Ackermann and Harmony Korine: ShadowFux&#8221;, Swiss Institute, New York (2010).<\/p>\n\n\n\n<p>Ackermann\u2019s work has also been shown in numerous group exhibitions: &#8220;Extreme Drawing: Ballpoint Pen Drawing Since 1950&#8221;, The Aldrich Museum of Contemporary Art, Ridgefield (2013); &#8220;Pivot Points: 15 Years and Counting&#8221;, Museum of Contemporary Art North Miami, Miami (2013); &#8220;Looking at Music: 3.0&#8221;, Museum of Modern Art, New York (2011); &#8220;It\u2019s All American&#8221;, New Jersey Museum of Contemporary Art, New York (2010); &#8220;Street and Studio&#8221;, Kunsthalle Wien (2010); &#8220;Sonic Youth etc.: Sensational Fix&#8221;, Malm\u00f6 Konsthall, Malm\u00f6 (2009); and &#8220;Whitney Biennial&#8221; 2008, Whitney Museum of American Art, New York.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"850\" height=\"551\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/9.jpg\" alt=\"Konstn\u00e4ren Rita Ackerman tillsammans med utst\u00e4llnings-curator och koordinator.\" class=\"wp-image-42914\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/9.jpg 850w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/9-300x194.jpg 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/9-768x498.jpg 768w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><figcaption class=\"wp-element-caption\">Rita Ackerman with curator Per Haubro and Exhibition Coordinator Anna Kindvall. <br\/>Photo: Robin Eriksson<\/figcaption><\/figure>\n\n\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"614\" height=\"850\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/IMG_7968.jpg\" alt=\"Rita Ackermans nymflika kvinnofigurer i svart och vit m\u00e5lning.\" class=\"wp-image-42924\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/IMG_7968.jpg 614w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/IMG_7968-217x300.jpg 217w\" sizes=\"auto, (max-width: 614px) 100vw, 614px\" \/><figcaption class=\"wp-element-caption\">Photo: Helene Toresdotter<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-full is-style-half-width\"><img loading=\"lazy\" decoding=\"async\" width=\"850\" height=\"387\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/IMG_7952-02_high.jpg\" alt=\"Rita Ackermans stora, m\u00f6rk-gr\u00f6na \"Svarta tavlan-m\u00e5lningar\" breder ut sig p\u00e5 Malm\u00f6 Konsthalls v\u00e4ggar.\" class=\"wp-image-42919\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/IMG_7952-02_high.jpg 850w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/IMG_7952-02_high-300x137.jpg 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/IMG_7952-02_high-768x350.jpg 768w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><figcaption class=\"wp-element-caption\">Exhibition view Rita Ackerman, Malm\u00f6 Konsthall 2016\u20132017. <br\/>Photo: Helene Toresdotter<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"546\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/Rita_Ackermann_-Meditation_on_Violence_III_2014.jpg\" alt=\"Dark green painting with erased chalk lines.\" class=\"wp-image-3071\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/Rita_Ackermann_-Meditation_on_Violence_III_2014.jpg 1024w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/Rita_Ackermann_-Meditation_on_Violence_III_2014-300x160.jpg 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2016\/06\/Rita_Ackermann_-Meditation_on_Violence_III_2014-768x410.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Rita Ackermann &#8220;Meditation on Violence III&#8221;, 2014.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Rita Ackermann 22.10 2016\u201322.1 2017 Rita Ackermann broke through on the New York art scene in the early 1990s with her sleek yet evocative 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