{"id":20298,"date":"2022-10-18T14:06:40","date_gmt":"2022-10-18T12:06:40","guid":{"rendered":"https:\/\/malmokonsthall.se\/utstallningar\/flight-2\/"},"modified":"2023-12-06T17:05:35","modified_gmt":"2023-12-06T16:05:35","slug":"flight-2","status":"publish","type":"utstallningar","link":"https:\/\/malmokonsthall.se\/en\/utstallningar\/flight-2\/","title":{"rendered":"FLIGHT"},"content":{"rendered":"  <nav aria-label=\"Breadcrumb navigation\" class=\"breadcrumbs\" typeof=\"BreadcrumbList\" vocab=\"https:\/\/schema.org\/\">\n      <ol>\n          <li class=\"home\"><span property=\"itemListElement\" typeof=\"ListItem\"><a property=\"item\" typeof=\"WebPage\" title=\"G\u00e5 till Startsidan\" href=\"https:\/\/malmokonsthall.se\/en\/\" class=\"home\" aria-current=\"page\"><span property=\"name\">Start<\/span><\/a><\/span><\/li>\n\n      <\/ol>\n  <\/nav>\n\n\n\n<figure class=\"wp-block-image size-large is-style-Margin-right is-style-margin-right-xlarge\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/09\/Frida-Orupado-1024x684.png\" alt=\"Collage of Bird-like creature with human face and human legs\" class=\"wp-image-18724\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/09\/Frida-Orupado-1024x684.png 1024w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/09\/Frida-Orupado-300x200.png 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/09\/Frida-Orupado-768x513.png 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/09\/Frida-Orupado-1536x1026.png 1536w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/09\/Frida-Orupado-2048x1368.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Frida Orupabo, Untitled, 2020<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-group is-style-page-margin\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n\n\n\n<h1 class=\"wp-block-heading is-style-heading-article\" id=\"h-flight\">FLIGHT<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-4-2-9-4-2023\">4.2 \u2013 9.4 2023<\/h2>\n\n\n\n<div class=\"wp-block-columns is-style-information-column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p>&#8220;FLIGHT&#8221;&nbsp;unfolds in a sequence of scenes that set the viewer in fluid time and place. Each installation is constructed from painstaking excavation and purposefully veers in and out of the past and present. The exhibition grapples with dissonance; beauty and grit, colonialism and freedom, and that which is yet to come.&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading is-style-body-heading\" id=\"h-to-fly-set-oneself-free-to-fall\">To fly, set oneself free, to fall<\/h3>\n\n\n\n<p>The word \u2018flight\u2019 evokes a myriad of visual metaphors and sensations \u2013 flying, breaking free, falling. In this exhibition it works as a linguistic signifier and as a place for the viewer to orient themselves in and engage with the expressions presented. Its omnipresence is there to entice and lead into worlds of tangible narratives, abstractions and critical fabulations.&nbsp;&#8220;FLIGHT&#8221;&nbsp;is formed through a range of mediums including collage, photography, sound, video and printed matter. The effect created is an immersive site of frequency, rhythm and vividness.<\/p>\n\n\n\n<h3 class=\"wp-block-heading is-style-body-heading\" id=\"h-things-we-forgot-to-remember\">Things we forgot to remember<\/h3>\n\n\n\n<p>A common thread ties the artists\u2019 works together: their emphasis on remembrance and reckoning. Throughout the exhibition the automatic response of fight-flight-freeze and its effects on everyday life can also be discerned. Kudzanai Chiurai\u2019s archival work,&nbsp;&#8220;The Library of Things We Forgot to Remember&#8221;,&nbsp;transports us to Pan-African liberation struggles against colonial rule. The work is all-consuming and pulsates with resistance. Frida Orupabo presents an assemblage of collage works that depict abstracted Black figures that are eerily present and unflinching. Eric Magassa\u2019s large-scale installation opens passages into vastness. He distorts and disturbs, forging ways outside of conformity and symmetry. The impressions in his collages are far-reaching and anachronistic.<\/p>\n\n\n\n<h3 class=\"wp-block-heading is-style-body-heading\" id=\"h-the-importance-of-confronting-history\">The importance of confronting history<\/h3>\n\n\n\n<p>The exhibition&nbsp;&#8220;FLIGHT&#8221;, curated by&nbsp;Tawanda Appiah, is about what comes to the surface when we examine our history with a critical eye. It is a celebration of three important artists of our times who have significantly added to contemporary art. At Malm\u00f6 Konsthall, their collective presence is there to remind us to confront the past in the imagination of futures.<\/p>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><a href=\"https:\/\/kudzanaichiurai.com\/\">Kudzanai Chiurai&#8217;s website<\/a>\r\n<a href=\"https:\/\/fridaorupabo.com\/\">Frida Orupabo&#8217;s website<\/a>\r\n<a href=\"http:\/\/www.magassa.com\/\">Eric Magassa&#8217;s website<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-style-information-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33%\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" aria-expanded=\"false\" id=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\"><span class=\"accordion__title\">Kudzanai Chiurai<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_96200d1a-cf1b-4e61-bb11-974b79a8394d-1701877937769\"><div class=\"accordion__text\">\n<p>Kudzanai Chiurai was born in 1981 in Harare, Zimbabwe, where he lives and works today. He incorporates various media into his work, which is largely focused on cycles of political and economic inequality, and conflict resolution in post-colonial societies.<\/p>\n\n\n\n<p>The exhibition&nbsp;&#8220;FLIGHT&#8221;&nbsp;brings Kudzanai Chiurai\u2019s&nbsp;&#8220;The Library of Things We Forgot to Remember&#8221;&nbsp;to Malm\u00f6 for the first time. Founded in 2017, it is an audio and visual archive of Black resistance, solidarity and collaboration. The library houses an extensive collection of sound recordings and works on paper that are linked to various liberation movements of the African continent and beyond. The vinyl collection, in particular, includes Zimbabwean Chimurenga music as well as sounds from the South African anti-apartheid struggle.<\/p>\n\n\n\n<p>At Malm\u00f6 Konsthall, &#8220;The Library of Things We Forgot to Remember&#8221;&nbsp;is constructed to stretch across Klas Anshelm\u2019s architectural design, marking it with various processes of decolonization. Central to the installation is a new work by Chiurai that borrows its name from&nbsp;Radio Freedom, an underground station of the South African liberation movement, the African National Congress (ANC), and its fighting wing uMkhonto we Sizwe (Spear of the Nation). The station was \u2018underground\u2019 because listening to it was banned by the South African government, and anyone caught doing so could be subjected to penalties as severe as eight years imprisonment. The piece echoes transnational guerrilla radio stations that were pivotal in the building of collective resistance and solidarity against colonial imposition. The installation is aural and visual in its makeup and requires active listening and engagement.<\/p>\n\n\n\n<p>Chiurai is one of the most celebrated African contemporary artists. He has held numerous solo exhibitions and has participated in various group exhibitions. His&nbsp;Conflict Resolution&nbsp;series was exhibited at dOCUMENTA (13) (2012) and his film&nbsp;Iyeza&nbsp;was one of the few African films to be included in the&nbsp;New Frontier&nbsp;shorts programme at the Sundance Film Festival in 2013. Recent exhibitions include&nbsp;Regarding the Ease of Others&nbsp;at the Zeitz Museum of Contemporary Art Africa in Cape Town, South Africa (2017) and&nbsp;UBUNTU: a Lucid Dream&nbsp;at the Palais de Tokyo in Paris (2020).<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_d38e479f-07c1-4384-a67f-a095f7b10520-1701877936568\" aria-expanded=\"false\" id=\"accordion_content-container_d38e479f-07c1-4384-a67f-a095f7b10520-1701877936568\" tabindex=\"0\"><span class=\"accordion__title\">Frida Orupabo<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_d38e479f-07c1-4384-a67f-a095f7b10520-1701877936568\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_d38e479f-07c1-4384-a67f-a095f7b10520-1701877936568\"><div class=\"accordion__text\">\n<p>Frida Orupabo&nbsp;was born in 1986 in Sarpsborg, Norway, and lives in Oslo. Her work consists of digital and physical collages in various forms, which explore questions related to race, family relations, gender, sexuality, violence and identity.<\/p>\n\n\n\n<p>Orupabo\u2019s archive has been described as \u2018wayward\u2019; \u2018errant, fugitive, recalcitrant, anarchic, wilful, reckless, troublesome, riotous, tumultuous, rebellious and wild,\u2019 in the words of African American Studies academic Saidiya Hartman. Viewing it feels like trespassing, a visceral act of sight that settles under the skin.<\/p>\n\n\n\n<p>Orupabo makes analogue and digital collages as well as video installations from salvaged visual material. The subjects she pulls out from archival records are often Black women who are unidentified and overlooked in history. She breathes life into them through a conscious process of selection, dissection, disassembling and reassembling. The figures in her work are abstracted and recomposed through obstruction. She pays close attention to the gaze, ensuring that it is primarily directed towards the viewer. Discomfort is the effect often produced which nurtures a space in which to question how and where one stands in relation to history.<\/p>\n\n\n\n<p>Orupabo has exhibited widely, including participating at the 34th S\u00e3o Paulo Biennial (2021) and 58th Venice Biennale (2019). Recent solo exhibitions have taken place at the 53rd edition of the Rencontres d\u2019Arles, France (2022); Fotomuseum Winterthur, Switzerland (2022) and Kunsthall Trondheim, Norway (2021). She was shortlisted for the 2021 Future Generation Art Prize.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_58fe4312-b7a0-46a1-be61-5b6a3bcd11b7-1701877935815\" aria-expanded=\"false\" id=\"accordion_content-container_58fe4312-b7a0-46a1-be61-5b6a3bcd11b7-1701877935815\" tabindex=\"0\"><span class=\"accordion__title\">Eric Magassa<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_58fe4312-b7a0-46a1-be61-5b6a3bcd11b7-1701877935815\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_58fe4312-b7a0-46a1-be61-5b6a3bcd11b7-1701877935815\"><div class=\"accordion__text\">\n<p>Eric Magassa&nbsp;was born in 1972 in Gothenburg, Sweden, where he lives and works today. He is a multidisciplinary artist, combining mixed-media collage, painting and photography. He explores issues of identity, its intermediary nature and its connection to memories and places.<\/p>\n\n\n\n<p>Magassa has roots in Sweden, France and Senegal, which are often mirrored in his work. His approach is that of dislocating narratives, regularly using the mask as an object of contention. African masks have a direct influence on twentieth-century modern art and can be found in the works of canonised European artists such as Pablo Picasso and Henri Matisse. Magassa speaks back to art history by taking back the mask and reappropriating it through a culturally connected lens.<\/p>\n\n\n\n<p>As part of&nbsp;&#8220;FLIGHT&#8221;, he has created a hypnotic large-scale collage installation that rings with sound and rhythm. He works with curiosity, experimentation and intuition. One of the figures that peers out of his installation is the late African American conductor Dean Dixon (1915\u20131976). Dixon was the Artistic Director of the Gothenburg Symphony Orchestra from 1953 to 1960 and left Sweden due to various reasons, including racism. Together with Dixon, Magassa disrupts Sweden\u2019s self-narrative of innocence and exceptionalism.<\/p>\n\n\n\n<p>Recent exhibitions include Marres House for Contemporary Culture, Maastricht, Netherlands (2021); Gothenburg International Biennial for Contemporary Art GIBCA (2019); Valongo Festival, Santos, Brazil (2019); Alings\u00e5s Konsthall, Sweden (2019) and Moderna Museet Stockholm, Sweden (2018).\r\n<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_a3c39453-c2ba-4f6a-a05f-c3362ff0bf98-1701877935309\" aria-expanded=\"false\" id=\"accordion_content-container_a3c39453-c2ba-4f6a-a05f-c3362ff0bf98-1701877935309\" tabindex=\"0\"><span class=\"accordion__title\">Tawanda Appiah (curator)<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_a3c39453-c2ba-4f6a-a05f-c3362ff0bf98-1701877935309\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_a3c39453-c2ba-4f6a-a05f-c3362ff0bf98-1701877935309\"><div class=\"accordion__text\">\n<p>Tawanda Appiah is a Zimbabwean independent curator and writer based in Malm\u00f6, Sweden. He has curated several exhibitions and interventions including co-curating the GIBCA Extended exhibition in 2021. His research-centred practice often visits history to make sense of the contemporary milieu. Appiah sits on various boards including Paletten Art Journal. <\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_f135ed7a-15a5-4a02-88a3-88bf96f8a5aa-1701877933960\" aria-expanded=\"false\" id=\"accordion_content-container_f135ed7a-15a5-4a02-88a3-88bf96f8a5aa-1701877933960\" tabindex=\"0\"><span class=\"accordion__title\">Interview with the artist and curator<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_f135ed7a-15a5-4a02-88a3-88bf96f8a5aa-1701877933960\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_f135ed7a-15a5-4a02-88a3-88bf96f8a5aa-1701877933960\"><div class=\"accordion__text\">\n<p><a href=\"https:\/\/youtu.be\/hUVHZa7QHTw?si=faefn-_ZgIXhsJbi\">Meet the artists and the curator in our interview film here<\/a><\/p>\n<\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-separator-style\"\/>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"806\" height=\"1024\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/11\/flight_2-806x1024.jpg\" alt=\"Portraits of the artists for the exhibition Flight.\" class=\"wp-image-22979\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/11\/flight_2-806x1024.jpg 806w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/11\/flight_2-236x300.jpg 236w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/11\/flight_2-768x975.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/11\/flight_2-1209x1536.jpg 1209w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/11\/flight_2.jpg 1407w\" sizes=\"auto, (max-width: 806px) 100vw, 806px\" \/><figcaption class=\"wp-element-caption\">Kudzanai Chiurai. Photo: Courtesy of the artist\r\nFrida Orupabo. Photo: Pirje Mykka\u0308nen, Finnish National Gallery\r\nEric Magassa. Photo: Peter Claesson \/ Stenastiftelsen<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:63px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"is-style-default\"><em> <\/em><\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-style-page-margin\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image is-style-default\">\n<figure class=\"alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"932\" height=\"1024\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/11\/Eric-Magassa_Black-Magic-series_2019-932x1024.jpg\" alt=\"Pressbild Flight\" class=\"wp-image-22631\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/11\/Eric-Magassa_Black-Magic-series_2019-932x1024.jpg 932w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/11\/Eric-Magassa_Black-Magic-series_2019-273x300.jpg 273w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/11\/Eric-Magassa_Black-Magic-series_2019-768x844.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/11\/Eric-Magassa_Black-Magic-series_2019.jpg 1181w\" sizes=\"auto, (max-width: 932px) 100vw, 932px\" \/><figcaption class=\"wp-element-caption\">Eric Magassa, &#8220;Black Magic series&#8221;, 2019.\r\nCourtesy konstn\u00e4ren\/the artist.<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/02\/flight_view-1024x576.jpg\" alt=\"Exhibition view of Eric Magassa's colorful installation &quot;Blinking Blind&quot; from inside the art gallery's light shaft.\" class=\"wp-image-24291\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/02\/flight_view-1024x576.jpg 1024w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/02\/flight_view-300x169.jpg 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/02\/flight_view-768x432.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/02\/flight_view-1536x864.jpg 1536w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/02\/flight_view-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Eric Magassa, &#8220;Blinking Blind&#8221;, 2023. Installation view Malm\u00f6 Konsthall. Photo: Helene Toresdotter<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-style-page-margin\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"732\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Frida-Orupabo_Installation-view_2021_5_Foto_Helene-Toresdotter-1024x732.jpg\" alt=\"Exhibition view of framed collage artworks.\" class=\"wp-image-25651\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Frida-Orupabo_Installation-view_2021_5_Foto_Helene-Toresdotter-1024x732.jpg 1024w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Frida-Orupabo_Installation-view_2021_5_Foto_Helene-Toresdotter-300x214.jpg 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Frida-Orupabo_Installation-view_2021_5_Foto_Helene-Toresdotter-768x549.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Frida-Orupabo_Installation-view_2021_5_Foto_Helene-Toresdotter.jpg 1181w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Frida Orupabo, installation view Malm\u00f6 Konsthall, 2023. Photo: Helene Toresdotter<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/10\/Frida-Orupabo_Turning_2021.jpg\" alt=\"Collage from the exhibition 'Flight.' A woman facing away from the camera, leaning against a wall with her face turned towards the camera.\" class=\"wp-image-25664\" style=\"width:299px;height:422px\" width=\"299\" height=\"422\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/10\/Frida-Orupabo_Turning_2021.jpg 597w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/10\/Frida-Orupabo_Turning_2021-212x300.jpg 212w\" sizes=\"auto, (max-width: 299px) 100vw, 299px\" \/><figcaption class=\"wp-element-caption\">Frida Orupabo, &#8220;Turning&#8221;, 2021.\r\nCourtesy konstn\u00e4ren\/the artist &amp; Galerie Nordenhake Stockholm\/Berlin\/Mexico City.<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-style-page-margin\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Kudzanai_Chiurai_free_zimbabwe_2022-666x1024.png\" alt=\"A poster from the exhibition 'Flight.' A woman holding a sign above her head with the text \"Long Live Free Zimbabwe\"\" class=\"wp-image-25677\" style=\"width:333px;height:512px\" width=\"333\" height=\"512\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Kudzanai_Chiurai_free_zimbabwe_2022-666x1024.png 666w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Kudzanai_Chiurai_free_zimbabwe_2022-195x300.png 195w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Kudzanai_Chiurai_free_zimbabwe_2022.png 768w\" sizes=\"auto, (max-width: 333px) 100vw, 333px\" \/><figcaption class=\"wp-element-caption\">Kudzanai Chiurai, &#8220;OSPAAAL, Long Live Free Zimbabwe.&#8221;\r\nLitografiskt tryck. Courtesy konstn\u00e4ren<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"732\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Kudzanai-Chiurai_2023_Photo-Helene-Toresdotter-1024x732.jpg\" alt=\"Exhibition view of a wall in the art gallery adorned with artworks: LP record sleeves and several photographs.\" class=\"wp-image-25645\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Kudzanai-Chiurai_2023_Photo-Helene-Toresdotter-1024x732.jpg 1024w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Kudzanai-Chiurai_2023_Photo-Helene-Toresdotter-300x214.jpg 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Kudzanai-Chiurai_2023_Photo-Helene-Toresdotter-768x549.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Kudzanai-Chiurai_2023_Photo-Helene-Toresdotter.jpg 1181w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Kudzanai Chiurai, &#8220;The Library of Things We Forgot to Remember&#8221;, 2023. Installation view Malm\u00f6 Konsthall. Photo: Helene Toresdotter<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>What happens when we sift through history and its dark repositories? The exhibition FLIGHT at Malm\u00f6 Konsthall presents burning, critical and unrelentingly defiant artworks. <\/p>\n","protected":false},"featured_media":18724,"menu_order":0,"template":"","format":"standard","class_list":["post-20298","utstallningar","type-utstallningar","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v23.3 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>FLIGHT<\/title>\n<meta name=\"description\" content=\"What happens when we sift through history and its dark repositories? 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