{"id":12706,"date":"2022-01-30T18:56:45","date_gmt":"2022-01-30T16:56:45","guid":{"rendered":"https:\/\/malmokonsthall.se\/utstallningar\/ann-bottcher\/"},"modified":"2023-11-09T11:10:42","modified_gmt":"2023-11-09T10:10:42","slug":"ann-bottcher","status":"publish","type":"utstallningar","link":"https:\/\/malmokonsthall.se\/en\/utstallningar\/ann-bottcher\/","title":{"rendered":"Ann B\u00f6ttcher"},"content":{"rendered":"  <nav aria-label=\"Breadcrumb navigation\" class=\"breadcrumbs\" typeof=\"BreadcrumbList\" vocab=\"https:\/\/schema.org\/\">\n      <ol>\n          <li class=\"home\"><span property=\"itemListElement\" typeof=\"ListItem\"><a property=\"item\" typeof=\"WebPage\" title=\"G\u00e5 till Startsidan\" href=\"https:\/\/malmokonsthall.se\/en\/\" class=\"home\" aria-current=\"page\"><span property=\"name\">Start<\/span><\/a><\/span><\/li>\n\n      <\/ol>\n  <\/nav>\n\n<figure class=\"wp-block-image size-large is-style-Margin-right is-style-margin-right\"><img decoding=\"async\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2021\/12\/bo&#x308;ttcher_1_web-1024x683.jpg\" alt=\"In the skylight of the art gallery's exhibition space, Ann B&#xF6;ttcher's colorful artwork made from rag rugs hangs on a white wall\" class=\"wp-image-9907\"\/><figcaption class=\"wp-element-caption\">&#8220;Resan och hamnen (\u00c5terbrukerskan)&#8221;, 2012. Photo: Helene Toresdotter<\/figcaption><\/figure>\n\n<div class=\"wp-block-group is-style-page-margin\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n\n\n\n<h1 class=\"wp-block-heading is-style-heading-article\" id=\"h-ann-bottcher-verk-2000-2021\">Ann B\u00f6ttcher \u2013 Works 2000\u20132021<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-4-12-2021-27-2-2022\">4.12 2021 \u2013 27.2 2022<\/h2>\n\n\n\n<div class=\"wp-block-columns is-style-information-column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p>Ann B\u00f6ttcher (born 1973) is based in Malm\u00f6 and has received a lot of recognition for her meticulously executed pencil drawings. Other techniques she works with include collage, weaving, and installations. For many years, B\u00f6ttcher has taken an interest in how identity is formed \u2013 culturally, nationally, and historically. Her works often point to the connections between the past and the present, between our common, shared history and our individual, personal one. This retrospective exhibition,\u00a0&#8220;Works 2000\u201321&#8221;, presents the full range of her oeuvre, from her intimate pencil drawings to her more sculptural works, which she often executes in a larger scale.<\/p>\n\n\n\n<h3 class=\"wp-block-heading is-style-body-heading\" id=\"h-naturen-vaxer-fram-pa-pappret\">Nature grows from the paper<\/h3>\n\n\n\n<p class=\"is-style-default\"> In B\u00f6ttcher\u2019s detailed pencil drawings, nature is allowed to grow, slowly, on the surface of the paper. The effort, concentration, and time that is put into depicting the motif seem encapsulated into the drawing itself. B\u00f6ttcher first rose to fame in the early 2000s thanks to her fascinating portraits of trees \u2013 often spruces \u2013 over a white backdrop. These pencil drawings were created as a sort of pauses while she was a student at Konstfack in Stockholm \u2013 pauses from the art. They became a way of trying to return, mentally, to the forests of her childhood; another way of achieving the mental state of being in nature. Ann B\u00f6ttcher grew up in Bruzaholm in the north of Sm\u00e5land.<\/p>\n\n\n\n<h3 class=\"wp-block-heading is-style-body-heading\" id=\"h-ett-politiskt-ideologiskt-och-kulturellt-perspektiv-pa-naturen\">A political, ideological, and cultural perspective on nature<\/h3>\n\n\n\n<p class=\"is-style-default\">These beautiful and aesthetic pencil drawings are also a part of her ongoing explorations of how nature is used for ideological, political, or cultural purposes. In her work\u00a0&#8220;The Sweden Series (a Selection)&#8221;, she examines the history of the spruce tree in Sweden over the last four centuries. She gives a chronological presentation of facts, texts, and images that she\u2019s found in various archives, which all touch on how the spruce has been presented and viewed, including our romanticised and ideological projections. Here, we encounter Carl Gustaf Ehrensv\u00e4rd (1745\u20131800), who harboured such a violent hatred for the spruce, or romantic nationalism as exemplified by painters like Marcus Larson, but also facts about the past role of the spruce in funerals, or the belief in the tree\u2019s supposed healing powers.<\/p>\n\n\n\n<p class=\"is-style-body-text\">The curators are Theodor Ringborg and Mats Stjernstedt. An earlier version of the exhibition was displayed at Bonniers Konsthall in Stockholm from February 3 to May 23, 2021. The exhibition at Malm\u00f6 Konsthall includes more works, including a newly produced one.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-style-large is-style-plain is-layout-flow wp-block-quote-is-layout-flow\">\n<p>B\u00f6ttcher infuses a whole spectrum of emotions into both installations and drawings. This makes the exhibition utterly overwhelming; it&#8217;s impossible to tear oneself away.<\/p>\n\n\n\n<p><\/p>\n<cite> Thomas Millroth, Sydsvenskan<\/cite><\/blockquote>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-style-information-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33%\">\n<div class=\"wp-block-group has-grey-color has-text-color\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_048fad67-fa8c-4863-933f-247f3a9ff855\" aria-expanded=\"false\" id=\"accordion_content-container_048fad67-fa8c-4863-933f-247f3a9ff855\" tabindex=\"0\"><span class=\"accordion__title\">About the exhibition<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_048fad67-fa8c-4863-933f-247f3a9ff855\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_048fad67-fa8c-4863-933f-247f3a9ff855\"><div class=\"accordion__text\">\n<p class=\"is-style-default has-black-color has-text-color\">Similarly, in her series\u00a0&#8220;Der Umgang mit Mutter Gr\u00fcn&#8221;, B\u00f6ttcher has charted how the forest and the spruce were used in German National Socialist propaganda during the 1920s and 30s. In her installation Ode to Pine (For Long and Faithful Service), she investigates the cultural and political role of the pine tree in the history of China.<\/p>\n\n\n\n<p class=\"is-style-default has-black-color has-text-color\">Her installation\u00a0&#8220;Vater (die Oder-Nei\u00dfe-Linie)&#8221;\u00a0from 2021 is her most personal work to date, and addresses her own German background, her father\u2019s history, and his memories. Her father had to escape with his family after the Second World War, when the borders were redrawn, and their home suddenly ended up in Poland. This was a fate they shared with many other German families.<\/p>\n\n\n\n<p class=\"is-style-default has-black-color has-text-color\">B\u00f6ttcher made her first textile work in 2006\/8, and since then, she has worked with traditional craft techniques like embroidery, weaving, and crochet, sometimes in collaboration with Handarbetets V\u00e4nner Atelj\u00e9 (Friends of Handicraft Studio). These techniques involve similar rhythms and concentration levels as drawing; they emphasise repetition and meditation. In her abstract, textile works, B\u00f6ttcher has felt able to work more intuitively, more freely \u2013 and this includes her approach to colours and their various energies. One of her textile works,\u00a0&#8220;The Journey and the Harbour (\u00c5terbrukerskan)&#8221;, which is featured prominently in the exhibition, usually hangs in the auditorium of the Vipan secondary school in Lund. The title and the execution of the piece both allude to the days when the present-day school building was part of the Vipeholm hospital for persons with developmental disabilities (1935\u201382).<\/p>\n\n\n\n<p class=\"is-style-default has-black-color has-text-color\">For the exhibition at Malm\u00f6 Konsthall, she has created a new artwork based on Goethe\u2019s colour wheel. It consists of rags that were left over from the production of\u00a0&#8220;The Journey and the Harbour (\u00c5terbrukerskan)&#8221;, and which have been stored in the artist\u2019s studio ever since.<\/p>\n\n\n\n<p class=\"is-style-default has-black-color has-text-color\">Although B\u00f6ttcher employs a variety of expressions and techniques, the works are all united by the fact that they address the same underlying issues. They become portraits of, or perhaps rather symbols of, the ways that identity, power, and ideology are formed and exercised in society.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-separator-style\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/05\/Ann-Bo&#x308;ttcher-Malmo&#x308;-Konsthall-809x1024.jpg\" alt=\"A portrait of Ann B&#xF6;ttcher in front of a wall covered with autumn-colored wild ivy. She is dressed in a leopard-print jacket and is smiling gently.\" class=\"wp-image-16129\"\/><figcaption class=\"wp-element-caption\">Ann B\u00f6ttcher 2022. Photo: Helene Toresdotter<\/figcaption><\/figure>\n\n\n\n<div style=\"height:78px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"726\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2021\/07\/IMG_3167-1024x726.jpg\" alt=\"Image of a 70s curtain in red and orange hanging around a round podium in Ann B&#xF6;ttcher's exhibition.\" class=\"wp-image-11565\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2021\/07\/IMG_3167-1024x726.jpg 1024w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2021\/07\/IMG_3167-300x213.jpg 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2021\/07\/IMG_3167-768x544.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2021\/07\/IMG_3167-1536x1089.jpg 1536w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2021\/07\/IMG_3167-2048x1452.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">&#8220;Vater (die Oder-Nei\u00dfe-Linie)&#8221;, 2020\u20132021<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-style-right-image-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2021\/12\/Ann_Bo&#x308;ttcher_installation_2-1024x636.jpeg\" alt=\"Exhibition view depicting a large crocheted piece hanging on the wall, shaped like a rug with a circle on top. In the background, visitors can be seen in the bright art gallery building.\" class=\"wp-image-10040\"\/><figcaption class=\"wp-element-caption\">&#8220;Transit Portal (The War Museum\/Svin\u00f8ya, Svolvaer, Lofoten, NO)&#8221;. Photo: Helene Toresdotter<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-style-left-image-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2022\/05\/Svenska-serien-Ann-Bo&#x308;ttcher-Malmo&#x308;-Konsthall-769x1024.jpg\" alt=\"Image of a black timeline painted on a light gray wall with numerous drawings and photos around it.\" class=\"wp-image-16134\"\/><figcaption class=\"wp-element-caption\">&#8220;Den svenska serien (ett urval)&#8221;, 2005. Photo: Helene Toresdotter<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>In the retrospective exhibition &#8220;Works 2000\u20132021,&#8221; we get to follow Ann B\u00f6ttcher&#8217;s artistic journey over time and discover underlying questions about ideology, control, and identity posed within the artworks.<\/p>\n","protected":false},"featured_media":9916,"menu_order":0,"template":"","format":"standard","class_list":["post-12706","utstallningar","type-utstallningar","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v23.3 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Ann B\u00f6ttcher<\/title>\n<meta name=\"description\" content=\"In the retrospective exhibition &quot;Works 2000\u20132021,&quot; we get to follow Ann B\u00f6ttcher&#039;s artistic journey over time and discover 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