{"id":25876,"date":"2023-03-27T17:25:08","date_gmt":"2023-03-27T15:25:08","guid":{"rendered":"https:\/\/malmokonsthall.se\/evenemangs\/black-countergravity-an-epilogue-to-flight\/"},"modified":"2023-04-05T14:30:55","modified_gmt":"2023-04-05T12:30:55","slug":"black-countergravity-an-epilogue-to-flight","status":"publish","type":"tribe_events","link":"https:\/\/malmokonsthall.se\/en\/evenemangs\/black-countergravity-an-epilogue-to-flight\/","title":{"rendered":"Black (Counter)Gravity: An epilogue to FLIGHT"},"content":{"rendered":"  <nav aria-label=\"Breadcrumb navigation\" class=\"breadcrumbs\" typeof=\"BreadcrumbList\" vocab=\"https:\/\/schema.org\/\">\n      <ol>\n          <li class=\"home\"><span property=\"itemListElement\" typeof=\"ListItem\"><a property=\"item\" typeof=\"WebPage\" title=\"G\u00e5 till Startsidan\" href=\"https:\/\/malmokonsthall.se\/en\/\" class=\"home\" aria-current=\"page\"><span property=\"name\">Start<\/span><\/a><\/span><\/li>\n\n      <\/ol>\n  <\/nav>\n\n<figure class=\"wp-block-image size-large is-style-Margin-right is-style-margin-right\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"724\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Frida-Orupabo-Girl-on-Horse-2021-min-1024x724.jpg\" alt=\"Collage of a woman riding a horse.\" class=\"wp-image-25804\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Frida-Orupabo-Girl-on-Horse-2021-min-1024x724.jpg 1024w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Frida-Orupabo-Girl-on-Horse-2021-min-300x212.jpg 300w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Frida-Orupabo-Girl-on-Horse-2021-min-768x543.jpg 768w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Frida-Orupabo-Girl-on-Horse-2021-min-1536x1086.jpg 1536w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/03\/Frida-Orupabo-Girl-on-Horse-2021-min-2048x1448.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Frida Orupabo, <em>Girl On Horse<\/em>, 2021. Courtesy of Frida Orupabo and Galerie Nordenhake.<\/figcaption><\/figure>\n\n<div class=\"wp-block-group is-style-page-margin\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"is-style-heading-article wp-block-heading\" id=\"huvudrubrik\">Black (Counter)Gravity: An epilogue to <em>FLIGHT<\/em><\/h1>\n\n\n<div class=\"tribe-events-schedule tribe-clearfix\">\n\t<h2 class=\"tribe-events-schedule__datetime\">\n\t\t<span class=\"tribe-events-schedule__date tribe-events-schedule__date--start\">\n\t\t\t<time datetime=\"2023-04-05T18:00:00+02:00\">\n\t\t\t\t5.4 2023\t\t\t<\/time>\n\t\t<\/span>\n\n\t\t\t\t\t<span class=\"tribe-events-schedule__separator tribe-events-schedule__separator--date\">\n\t\t\t\t \t\t\t<\/span>\n\t\t\t<span class=\"tribe-events-schedule__time tribe-events-schedule__time--start\">\n\t\t\t\tat <time datetime=\"2023-04-05T18:00:00+02:00\">18:00<\/time>\n\t\t\t<\/span>\n\t\t\n\t\t\t\t\t\t\t\t\t<span class=\"tribe-events-schedule__separator tribe-events-schedule__separator--time\">\n\t\t\t\t\t &#8211; \t\t\t\t<\/span>\n\t\t\t\n\t\t\t\t\t\t\t<span class=\"tribe-events-schedule__time tribe-events-schedule__time--end\">\n\t\t\t\t\t<time datetime=\"2023-04-05T22:00:00+02:00\">22:00<\/time>\n\t\t\t\t<\/span>\n\t\t\t\n\t\t\t\t\t\t<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-style-information-column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p class=\"is-style-default\">What happens when we sift through history and its dark archives? <em>FLIGHT<\/em> (Kudzanai Chiurai | Frida Orupabo | Eric Magassa) is an exhibition that grapples with history; its tensions and its freedoms. The programme evening that concludes the exhibition offers a listening session directed by the artist Santiago Mostyn, a talk with Jonelle Twum, Nina Cramer &amp; Tawanda Appiah, and a film screening of Kudzanai Chiurai&#8217;s film\u00a0<em>We Live in Silence<\/em>. The evening ends with more music and a celebration of\u00a0<em>FLIGHT<\/em>.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>In this epilogue to the exhibition, we meet within the contentious archive. Inspired by <strong>Tina Campt<\/strong>\u2019s essay contribution to the exhibition catalogue of <em>FLIGHT<\/em>, <em>Black (Counter)Gravity: A Soliloquy on Flight<\/em>, we attempt to unsettle the state of oblivion by bringing Black counter narratives to the surface. In this process we acknowledge the tensions that rise when we summon history. The discomfort of encountering the dead and simultaneously the potential that comes with purposeful exhumation. We propose collective responsibility in dealing with the violence that comes with the past. <em>Black (Counter)Gravity: An epilogue to FLIGHT<\/em> offers a speculative site for a multiplicity of knowledge and affects that the archive holds and offers us.<\/p>\n\n\n\n<p>The event starts off with a listening session by the artist <strong>Santiago Mostyn<\/strong>, who will select vinyls and recordings from <em>The Library of Things We Forgot to Remember<\/em> and beyond. After that we will commune for a conversation titled <em>On Archival Experiments<\/em> with <strong>Jonelle Twu<\/strong>m, <strong>Nina Cramer <\/strong>and <strong>Tawanda Appiah<\/strong>. From there on we will watch <strong>Kudzanai Chiurai<\/strong>\u2019s film <em>We Live in Silence: Chapters 1-7<\/em> (2017). The evening will end with more music and a celebration of <em>FLIGHT<\/em>.<\/p>\n\n\n\n<p>The programme is curated and organised by Tawanda Appiah and Jonelle Twum.<\/p>\n\n\n\n<p><strong>Programme:<\/strong><\/p>\n\n\n\n<p>18.00\u201318.10: Introduction by Tawanda Appiah, Jonelle Twum &amp; Mats Stjernstedt<br\/>18.10\u201318.40: Listening session with Santiago Mostyn (Part I) <br\/>18.40\u201319.30: <em>On Archival Experiments<\/em>. A conversation with artist and founder of Black Archives Sweden, Jonelle Twum, and art historian Nina Cramer, moderated by Tawanda Appiahh. <br\/>Break<br\/>19.45 till 20.50: Film Screening: <em>We Live in Silence: Chapters 1-7<\/em> (2017) by Kudzanai Chiurai<br\/>20.50:\u00a0Listening session with Santiago Mostyn (Part II). The exhibition hall closes. <br\/>22.00: The End<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-style-information-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33%\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h3 class=\"is-style-body-heading wp-block-heading\" id=\"h-information\">Information<\/h3>\n\n\n\n<p class=\"is-style-default\"><strong>What<\/strong>: Event&#13;\n<strong>When<\/strong>: Wed 5.4 at 6\u201310pm&#13;\n<strong>Where<\/strong>: The Exhibition Hall<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:18px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Drop in, admission free<\/p>\n\n\n\n<p class=\"is-style-normal-weight\"><\/p>\n\n\n\n<div style=\"height:18px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_048fad67-fa8c-4863-933f-247f3a9ff855\" aria-expanded=\"false\" id=\"accordion_content-container_048fad67-fa8c-4863-933f-247f3a9ff855\" tabindex=\"0\"><span class=\"accordion__title\"><strong>Jonelle Twu<\/strong>m<\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_048fad67-fa8c-4863-933f-247f3a9ff855\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_048fad67-fa8c-4863-933f-247f3a9ff855\"><div class=\"accordion__text\">\n<p>Jonelle Twum is filmmaker, researcher and cultural producer who explores various ranges of questions through the perspectives and with the narratives of minor\/disregarded\/unacknowledged figures from a Black feminist perspective. Jonelle is also the founder and artistic director of Black Archives Sweden.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_048fad67-fa8c-4863-933f-247f3a9ff855\" aria-expanded=\"false\" id=\"accordion_content-container_048fad67-fa8c-4863-933f-247f3a9ff855\" tabindex=\"0\"><span class=\"accordion__title\"><strong><strong>Santiago Mostyn<\/strong><\/strong><\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_048fad67-fa8c-4863-933f-247f3a9ff855\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_048fad67-fa8c-4863-933f-247f3a9ff855\"><div class=\"accordion__text\">\n<p>Santiago Mostyn (b. 1981, San Francisco) is an artist whose practice foregrounds narrative entanglements in pursuit of new understandings of place, both in a cultural and psychic sense. Mostyn has long been interested in the interplay of music, narrative and the embodied self, with works manifesting as films, exhibitions and curatorial projects.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_048fad67-fa8c-4863-933f-247f3a9ff855\" aria-expanded=\"false\" id=\"accordion_content-container_048fad67-fa8c-4863-933f-247f3a9ff855\" tabindex=\"0\"><span class=\"accordion__title\"><strong><strong>Nina Cramer<\/strong><\/strong><\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_048fad67-fa8c-4863-933f-247f3a9ff855\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_048fad67-fa8c-4863-933f-247f3a9ff855\"><div class=\"accordion__text\">\n<p>Nina Cramer is a PhD candidate at the University of Copenhagen\u2019s Department of Arts and Cultural Studies. Her research examines contemporary artistic practices and discourses of the African Diaspora in Denmark drawing on frameworks from Black Studies and queer feminist art history. Her PhD project is part of the research network The Art of Nordic Colonialism which brings together scholars, curators, and artists working on art and visual culture related to Nordic colonial projects in the Caribbean, West Africa, India, Greenland, Iceland, and S\u00e1pmi. Since 2017 she has been a member of the decolonial feminist collective Marronage that uses a multitude of strategies to critique the ongoing effects of Danish coloniality.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_048fad67-fa8c-4863-933f-247f3a9ff855\" aria-expanded=\"false\" id=\"accordion_content-container_048fad67-fa8c-4863-933f-247f3a9ff855\" tabindex=\"0\"><span class=\"accordion__title\"><strong><strong>Tawanda Appiah<\/strong><\/strong><\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_048fad67-fa8c-4863-933f-247f3a9ff855\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_048fad67-fa8c-4863-933f-247f3a9ff855\"><div class=\"accordion__text\">\n<p>Tawanda Appiah is a Zimbabwean curator, writer and researcher based in Malm\u00f6, Sweden. His research-centred practice often revisits history to make sense of the contemporary milieu. He is the incoming curator at Sk\u00e5nes konstf\u00f6rening and a part of Njelele Art Station, and previously held the position of Curator of Education &amp; Public Programming at the National Gallery of Zimbabwe.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-malmo-konsthall-accordion block-accordion-container active\"><button class=\"block-accordion\" type=\"button\" onclick=\"handleAccordianClick(this)\" aria-controls=\"accordion_content_048fad67-fa8c-4863-933f-247f3a9ff855\" aria-expanded=\"false\" id=\"accordion_content-container_048fad67-fa8c-4863-933f-247f3a9ff855\" tabindex=\"0\"><span class=\"accordion__title\"><strong>Film: <em>We Live in Silence: Chapters 1\u20137<\/em><\/strong><\/span><svg width=\"14\" height=\"14\" viewBox=\"0 0 14 14\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"accordion__icon acc_plus\"><path d=\"M14 8H8H6H0V6H6H8H14V8Z\" fill=\"black\" class=\"stroke\"><\/path><path d=\"M6 14L6 8L6 6L6 -8.74228e-08L8 0L8 6L8 8L8 14L6 14Z\" fill=\"black\" class=\"stroke-minus\"><\/path><\/svg><\/button><div class=\"accordion__content\" role=\"region\" id=\"accordion_content_048fad67-fa8c-4863-933f-247f3a9ff855\" tabindex=\"0\" aria-labelledby=\"accordion_content-container_048fad67-fa8c-4863-933f-247f3a9ff855\"><div class=\"accordion__text\">\n<p>The work takes Mauritanian filmmaker Med Hondo\u2019s critically acclaimed 1967 drama <em>Soleil \u00d4<\/em> as its starting point, responding, in particular, to the colonial mindset encapsulated in the following line from the film:<\/p>\n\n\n\n<p>\u2018<em>It\u2019s crucial to be able to select individuals capable of speaking as we do, capable of thinking as we do, capable of retaining, of absorbing, yes absorbing words as we do and above all giving them the same meaning, and so there&#8217;ll soon be millions of white-washed blacks, white-washed and economically enslaved<\/em>\u2019.<\/p>\n\n\n\n<p>In <em>We Live in Silence<\/em>, Chiurai dissects the film through similitude, recreating scenes intercut with reimagined scenes from previous video works by Chiurai (<em>Iyeza and Moyo<\/em>) to stage speculative fictions and futures that reject this notion that African migrants are to think, speak and understand language like their colonizers.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div style=\"height:76px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"723\" height=\"1024\" src=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/04\/KC-WeLiveInSilence-option-2-LR-1-723x1024.jpg\" alt=\"Woman dressed in a leopard-patterned suit and coat in front of flowers and dark patterns.\" class=\"wp-image-26033\" srcset=\"https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/04\/KC-WeLiveInSilence-option-2-LR-1-723x1024.jpg 723w, https:\/\/malmokonsthall.se\/wp-content\/uploads\/2023\/04\/KC-WeLiveInSilence-option-2-LR-1-212x300.jpg 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